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Before July 26th, 1926
At first, when they smiled, Max felt fantastic. A gesture of quick appreciation, just for him. A brief moment in which they connected, as if there was something that bound them together that just they knew about. But after the first few months in Los Angeles, Max had learned that he wasn’t special. For an actress it was their nature. Everyone they met was greeted with a gentle smile. Each person they crossed eyes with got enchanted by their beauty. With hindsight it makes sense that the film industry is the place to learn that what you see on first sight isn’t that pretty after a thorough look.
The glamour, sense of adventure, a life so different than what he had known had drawn Max out west. He enjoyed his first job, learning from Mr. Gerard, the clockmaker. The shiny metals and intriguing techniques kept Max mesmerized and he had quickly learned to treat every gear, each screw with precious care. One wednesday a film-maker had been surprised by how quick Max had gotten his golden pocket-watch, a family piece, running again. That led to an introduction to his second job; prop-maker on the Los Angeles film sets.
Whether working on custom umbrella’s, improving on existing car-design or creating gold-encrusted revolvers, it was in Los Angeles where Max learned that everything that is average looking can be made more beautiful with some effort. And it were the actresses that taught him that everything that appears beautiful, often is less impressive than first perceived. Reality always seems to be in conflict with what we desire. But that’s why movies exist; to create a window to see more than we can find in our own house. Interesting enough the viewers submit to that separation, by watching, instead of changing their reality.
Working in film puts one at the border between two worlds. It gives the most realistic view of what is happening on both sides of the camera. Two worlds, and that is what it is.
Until that friday-afternoon.
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